By the time the film draws to a close, Honoré’s made sure we’ve seen it all: plenty of mourning, sex, and smoking on picturesque Parisian bridges.
The directorial debut of actor Paul Dano organizes familiar faces, subjects and themes into a new, and moving, pattern.
In transit, relationships are evacuated of any real meaning, identity is rendered deliberately superficial and interchangeable, and what little the immigrants do own they carry with them.
First Reformed deploys a host of Protestant self-punishing trappings and conventions to fabricate a seductive spectacle out of white male guilt and self-pity.
It’s quite easy to condemn teenagers when they publish a series of transgressive videos on Youtube just to get clicks. But sometimes, video clips go viral without an attention-seeking motive. The 2017 film Like Me juggles the relationship between this un-beseeching fame and its spiraling negative effects. It also entertains the idea of how reality...
Four strutting teenage boys played by four strutting teenage girls compose the magnetic centerpiece of Bertrand Mandico’s heady debut feature, Wild Boys (Les garçons sauvages), which had its New York premiere on February 24th at The Film Society of Lincoln Center. Supremely bizarre, extraordinarily thoughtful, and operating according to a brilliant and idiosyncratic logic all...
Varda’s portrait offers a corrective to the oftentimes even more egregiously inadequate representations that preceded it . . . it’s clear that it isn’t so much women that warrant reinventing, but our understanding of womanhood itself.
Guest programmed by Nellie Killian, “Tell Me” centers on intimate nonfiction films by and about women—and complicates the question of how, exactly, womanhood is understood and defined.
Welcome to our annual year-end poll of the best films of the year, coming to you only one month late! This year’s poll of contributors and friends of the magazine resulted in a landslide victory for Hong Sang-soo’s November release On the Beach At Night Alone, which had a 9-point lead over our number two pick. In...
His two works feel like culminations in other ways too, messing with Hong’s usual structures while asserting themselves as two of the most deeply personal and mysterious entries in his filmography
Through her character, and her sneakily masterful performance, we can navigate the film as an intensely confessional work by its director.
It’s an incredibly poignant, if rather confused, meditation on the multiple valences of love and fidelity from an intergenerational perspective.
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