12 Years a Slave’s most biting critique is of the ways in which believing in the redemptive nature of true liberalism only serves to perpetuate systems of exclusion and inegalitarianism.
Olivia Domba reviews Hayao Miyazaki's latest - and final - film, The Wind Rises, from this year's New York Film Festival.
Olivia Domba reviews two omnibus films screening at the Film Society of Lincoln Center's "Cinema of Resistance" series this week.
Olivia Domba begins a series on the Czech New Wave with a look at two subversive milestones: A Report on the Party and the Guests and The Fireman's Ball.
In our Yearbook series, Double Exposure contributors share lists and essays that attempt to define their year in film. In this entry, Olivia Domba looks at the roles performance and acting play in two of the year’s strangest films.
Olivia Domba reviews the latest from the always-controversial Quentin Tarantino.
Olivia Domba recommends Yorgos Lanthimos’ most recent feature, now streaming on Netflix.
Olivia Domba takes a look at some of the shorts of Chuck Jones, the subject of a retrospective at BAM running from November 23 to 26.
Looking for something to watch on election day tomorrow? Look no further! Olivia Domba recommends five films that reflect on the campaign process and the issues themselves.