Welcome to the blog of Double Exposure, Columbia University's undergraduate film journal. We publish up-to-date film criticism by Columbia students, including reviews, features, columns, lists, videos, interviews, podcasts, and more.
Author Archive
Blue Is the Warmest Colour

Blue Is the Warmest Colour

On the eve of its Criterion release, Max Nelson offers some commentary on Abdellatif Kechiche's Blue Is the Warmest Colour.
Yearbook: Max Nelson

Yearbook: Max Nelson

Like every year in this strange stretch of film history, with its Venn-Diagram-overlap between small-screen and big-screen moviegoing, digital and celluloid projection, home video and streaming, and grassroots and studio funding, 2013 was confusing, noisy, rattled, and disjointed.
Critical Mass: Max Nelson

Critical Mass: Max Nelson

Max Nelson shares one of his favorite pieces of film criticism, Chris Marker's A Day in the Life of Andrei Arsenevich.
Top 10 Films of 2012

Top 10 Films of 2012

Double Exposure counts down our top ten movies of 2012.
Yearbook 2012: Max Nelson

Yearbook 2012: Max Nelson

In our Yearbook series, Double Exposure contributors share lists and essays that attempt to define their year in film. In this entry, Max Nelson recounts some of the more notable cinematic naps he indulged in this year.
Re-Believing: An Interview with Miguel Gomes

Re-Believing: An Interview with Miguel Gomes

Miguel Gomes’ extraordinary new film Tabu opened today at Film Forum for a two-week engagement. To mark the occasion, we’re re-running our interview with the Portuguese filmmaker, originally published in our special NYFF issue.
The Sound of Actual Time Approaching

The Sound of Actual Time Approaching

Max Nelson endures Christian Marclay’s 24-hour opus The Clock and lives to tell the tale.
4:44 Last Day on Earth

4:44 Last Day on Earth

Hemingway was wrong. An honest story is not necessarily an interesting one – unless the storyteller lives like Ernest Hemingway. Case in point: Abel Ferrara’s new doomsday drama 4:44 Last Day on Earth.
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