NYFF 2018: The Other Side of the Wind
In considering The Other Side of the Wind as Orson Welles’s final statement, one must come to terms with the fact that it is no longer really his film.
NYFF 2018: Sorry Angel
By the time the film draws to a close, Honoré’s made sure we’ve seen it all: plenty of mourning, sex, and smoking on picturesque Parisian bridges.
NYFF 2018: Wildlife
The directorial debut of actor Paul Dano organizes familiar faces, subjects and themes into a new, and moving, pattern.
NYFF 2018: Transit
In transit, relationships are evacuated of any real meaning, identity is rendered deliberately superficial and interchangeable, and what little the immigrants do own they carry with them.
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