Parabellum
Our cultural assumption, in dystopian films, is that the morally upright, empathetic, and resourceful band of survivors will succeed and reestablish society. But to Rinner, these assumptions specifically play off both the simplification and commodification of disaster scenarios.
Tell It Like It Is: Black Independents in New York, 1968-1986
The movies presented are fiercely independent. These situations allow one major benefit: little money and low expectations means there are fewer restrictions on expression. The artists' visions shine through.
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